JOACHIM KOESTER Born in 1962 in Copenhagen, Denmark. Lives and works between Copenhaguen, Denmark and New York, USA The Royal Danish Academy of Fine Arts, Copenhagen, Denmark (1987-1993) SOLO SHOWS The Place of Dead Roads, Jan Mot, Brussels, Belgium. Travelling: Centre d'Art

Joachim Koester The Place of Dead Roads, 2013 Galleri Nicolai Wallner. Joachim Koester follow Demonology, 2010 Silver gelatin print 90 x 75 cm

Joachim Koester , The Room of Nightmares #1, 2005 , From the series "Morning of the Magicians", 2005 , C-print, 47,5 x 60,3 cm , The Place of Dead Roads. Joachim Koester. 6 Nov – 29 Nov 2014. Camera Austria AT. Camera Austria Lendkai 1 8020 Graz +43 (0)316-8155500. editors@camera-austria.at Among the newly installed works, thanks to generous support from's significant new acquisitions in the form of Joachim Koester's ′′ The Place of Dead Roads ′′ and the three works ′′ Home Coming Queen," ′′ Ghost ′′ and ′′ The Smoke from the Chimney ′′ by The other newly installed works are: Tony Matelli, Fucked Couple, installation, 2005 Tal R, Arise, fabric collage JOACHIM KOESTER Nacido en 1962 en Copenhague, Dinamarca. Vive y trabaja entre Copenhague, Dinamarca y Nueva York, EE.UU.

Joachim koester the place of dead roads

Centre d‘Art Contemporain Genève 10 rue de Vieux-Grenadiers 1205 Geneva Switzerland. www.centre.ch. The Centre d’Art Contemporain Genève presents The Place of Dead Roads, a solo exhibition by Joachim Koester featuring a new video installation, coproduced by the Centre, and an extensive collection of photographic works Joachim Koester Body Electric Ground Floor January 13 – February 14, 2015. Selected Works Press Release Back. Installation view, Body The Place of Dead Roads, 2013 (still) The Place of Dead Roads, 2013 (still) Installation view, Body Electric Greene Naftali, New York, 2015 . 2015-01-23 Joachim Koester, Maybe one must begin with some particular places, 2012 (film still). 16mm film, black and white, silent, 2 min.

Referencing a western novel of the same name by William S. Burroughs, in Joachim Koester’s video work "The Place of Dead Roads", four androgynous cowboys inhabit a space. A series of twitches, shudders, full body spasms, gestures both rapid and slow, pulsate through all four figures.

Collectively, they span the last 12 years of his practice, revealing wide-ranging fascinations held together by a persistent enquiry into the boundaries of apparent reality and a quest to uncover hidden aspects 2021-04-03 Le Centre d’Art Contemporain à Genève présente The Place of Dead Roads, une exposition monographique de Joachim Koester réunissant une installation vidéo inédite, coproduite par le Centre, et un ensemble important d’œuvres photographiques réalisées entre 2003 et 2012. Le travail de Joachim Koester sonde, à travers l’installation vidéo, le film 16mm et la photographie, les […] documentation – press Joachim Koester’s solo exhibition at Beirut Art Center, purposely associates immersion with perambulation through the movement of images, architectural modifications, as well as color and shade alternations; the usual circulation within the building has been deliberately disrupted. The list of exhibited works (2013-2017) reflects the great diversity of mediums Joachim Koester’s exposition at the Camden Arts Centre, London, shows how the body and mind assimilate with the space and time they inhabit, often without intention or even realisation. What connects this exhibition that references Smithson, praying mantises and the Wild West at first appears dauntingly incongruous but each work is unified by the revelation that space and time are never neutral.

Francis Alÿs, Pierre Bismuth, stanley brouwn, Andrea Büttner, Manon de Boer, Mario Garcia Torres, Joachim Koester, David Lamelas, Tino Sehgal, Paul Thek, Tris Vonna-Michell and Ian Wilson Art Basel Online Viewing Rooms. 13/03/20 - 30/05/20 Chantal Akerman, Manon de Boer. 16/01/20 - 07/03/20 Manon de Boer Caco, João, Mava and Rebecca

18/11/14. Joachim Koester The Place of Dead Roads often in unexpected places, from which forces will radiate life or death, one's own and in the environment. a road block down by me at the time towards 2006) and the maritime domains (Grech, Horberry, & Koester, 2008;Hetherington, Flin, & Mearns, 2006).

Collectively, they span the last 12 years of his practice, revealing wide-ranging fascinations held together by a persistent enquiry into the boundaries of apparent reality and a quest to uncover hidden aspects of perception. Nanking Restaurant, Tracing Opium in Calcutta Joachim Koester, 2009, Questioning History, Imagining the past in Contemporary Art. van der Stok, F., Gierstberg, F Among the newly installed works, thanks to generous support from's significant new acquisitions in the form of Joachim Koester's ′′ The Place of Dead Roads ′′ and the three works ′′ Home Coming Queen," ′′ Ghost ′′ and ′′ The Smoke from the Chimney ′′ by The other newly installed works are: Tony Matelli, Fucked Couple, installation, 2005 Tal R, Arise, fabric collage Joachim Koester The Place of Dead Roads (video still), 2013 Galleri Nicolai Wallner Joachim Koester Body Electric Ground Floor January 13 – February 14, 2015. The Place of Dead Roads, 2013 (still) The Place of Dead Roads, 2013 (still) 2015-01-23 · “The Place of Dead Roads,” a video installation in Joachim Koester’s new exhibition at Greene Naftali, features three women and a man dressed as western movie characters and miming a shootout. Cow-boys androgynes The Place of Dead Roads est un western structuré autour d’une chorégraphie de fusillade.
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202-318-5984 Alicia Deatherage. 956-732-8722.

Le travail de Joachim Koester sonde, à travers l’installation vidéo, le film 16mm et la photographie, les […] documentation – press Joachim Koester’s solo exhibition at Beirut Art Center, purposely associates immersion with perambulation through the movement of images, architectural modifications, as well as color and shade alternations; the usual circulation within the building has been deliberately disrupted. The list of exhibited works (2013-2017) reflects the great diversity of mediums Joachim Koester’s exposition at the Camden Arts Centre, London, shows how the body and mind assimilate with the space and time they inhabit, often without intention or even realisation. What connects this exhibition that references Smithson, praying mantises and the Wild West at first appears dauntingly incongruous but each work is unified by the revelation that space and time are never neutral.
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"The Place Of Dead Roads" by Joachim Koester at ARoS Art Museum, Denmark. 2018. Horse Sings From Cloud, Shortfilm 13 min, Directors: Isak Sundström,

The Centre d’Art Contemporain Genève presents The Place of Dead Roads, a solo exhibition by Joachim Koester featuring a new video installation, coproduced by the Centre, and an extensive collection of photographic works undertaken between 2003 and 2012. Using video, 16mm film, installation and photography, Koester’s work explores those troubled interzones between conscious and unconscious Master programme of Fine Arts in Artistic Research, 120 credits PhD programme of Fine Arts Masterprogrammet i fri konst med inriktning mot forskningsförberedande studier 120hp Kurser Ansökan Undermeny för Ansökan The Centre d’Art Contemporain Genève presents “The Place of Dead Roads”, a solo exhibition by Joachim Koester featuring a new video installation, coproduced by the Centre, and an extensive collection of photographic works undertaken between 2003 and 2012.

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Erläutert und mit Einleitung versehen von Erich Koestermann. Heidelberg DEATH, Sarah/ FORSÅS-SCOTT, Helena (eds.), A Century of DRÈGE, Jean-Pierre/ Emil M. BÜHRER, The Silk Road Saga. Facts on ELLROY, James, My Dark Places: An L.A. Crime Memoir. London GERNENTZ, Hans Joachim (ed.), Ritter

Behind the curtain you find a room-sized video installation housing “The Place of Dead Roads,” a 33-minute work from 2015.

Joachim Koester is a Danish artist based in Copenhagen. The Place of Dead Roads, Galerie Jan Mot, Brussels Joachim Koester (2014) Artistic work The Ghost Shop, Camera Austria, Graz Joachim Koester (2014) Artistic work The Crime Was Almost Perfect, Witte de With, Rotterdam

Available for sale from Galleri Nicolai Wallner, Joachim Koester, The Place of Dead Roads (2013), HD video installation, color, sound 2018-11-26 The Centre d’Art Contemporain Genève presents The Place of Dead Roads, a solo exhibition by Joachim Koester featuring a new video installation, coproduced by the Centre, and an extensive collection of photographic works undertaken between 2003 and 2012.

We haven't opened yet, but somehow you found us Joachim Koester Maybe this act, this work, this thing, 2018 GIF-fil #act #work #thing Joachim Koester The Place of Dead Roads, 2018 GIF-fil #vibrations #ghosts Joachim Koester To navigate, in a genuine way, in the unknown necessitates an attitude of daring, but not one of recklessness (movements generated from the Magical Passes of Carlos Joachim Koester The Place of Dead Roads, 2013 Galleri Nicolai Wallner. Joachim Koester follow Demonology, 2010 Silver gelatin print 90 x 75 cm The Place of Dead Roads, Centre d’Art Contemporain, Geneva, Switzerland: The Place of Dead Roads, Galerie Jan Mot, Brussels, Belgium: 2013: Howe, Yerba Buena Center for Arts, San Francisco, USA: Joachim Koester: Tarantism, The Ian Potter Museum of Art, Melbourne, Australia: Reptile Brain or Reptile Body, It’s Your Animal, Palais de Tokyo Joachim Koester The Place of Dead Roads 23 May–17 August 2014. Centre d‘Art Contemporain Genève 10 rue de Vieux-Grenadiers 1205 Geneva Switzerland. www.centre.ch. The Centre d’Art Contemporain Genève presents The Place of Dead Roads, a solo exhibition by Joachim Koester featuring a new video installation, coproduced by the Centre, and an extensive collection of photographic works March 6 - April 18 2015 Galleri Nicolai Wallner is pleased to announce a solo exhibition of works by Joachim Koester. In one of Koester’s most striking shows to date, an immersive, large-scale installation encompasses the exhibition space.